Death of a Salesman made both Arthur Miller and the character Willy Loman household names. The play raises a counterexample to Aristotle's characterization of tragedy as the downfall of a great man: though Loman certainly has Hamartia, a tragic flaw or error, his downfall is that of an ordinary man (a "low man"). Like Sophocles' Oedipus in Oedipus the King, Loman's flaw comes down to a lack of self-knowledge; unlike Oedipus, Loman's downfall threatens not the city but only a single household. In this sense, Miller's play represents a democratization of the ancient form of tragedy; the play's protagonist is himself obsessed with the question of greatness, and his downfall arises directly from his misconception of himself as someone capable of greatness. The tragedy of Willy Loman contrasted significantly with that of Willie Stark, the charismatic, populist politician in All the King’s Men, the movie of which won the Academy award for the best film of 1949.

ALL THE SKY IS FILLED WITH LIGHT CAN U SEE IT?

One year to go ............